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[vfjzh] Download Klothilde fonts from Fontroll

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Klothilde Klothilde is a handwriting font which came to life in one of my doodling sessions (I must admit I still doodle with pen and paper). The idea was to create a font which resembles writing with a quill on paper with exaggerated ball terminals. Sometimes there is too much ink which makes the letters fat and the strokes uneven. The paper soaks the ink resulting in blurred line crossings. The form gets blurry. On the other hand, when the quill runs out of ink the stroke gets thinner looking like the light version of Klothilde . In order to emulate the different looks, I created six fonts with a common skeleton but different appearance which can be altered seamlessly by using the Variable Fonts technology (e.g. in latest Adobe apps or CorelDRAW Graphics Suite) along the Weight and Blurred sliders. But even without, Klothilde can be used even in longer copy. Use it from 18 pt upwards, flush left with tight leading and intersecting ascenders and descenders. Due to extensive ma...
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Calvino fonts from Zetafonts - (ansah)

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Calvino In designing the  Calvino  typeface family  Andrea Tartarelli  set himself the challenge to follow the principles expressed by the Italian writer  Italo Calvino   in his masterpiece  Six memos for the next millenium .  Exactitude  and  visibility  are translated typographically through the reference to sixteen century garalde typography and its controlled, highly legible letterforms. To balance this formal rigour,  lightness  and  quickness  were added by letting the design be inspired by the calligraphic hand, following the lesson of Gudrun Zapf. The idea of  multiplicity was kept central, developing  Calvino  in a range of weights encompassing both display and text use cases, and then expanding the design space with the inclusion of a display sub-family,  Calvino Grande , to provide users with a full typographic palette to cover all editorial needs. Sharing the...
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[estqb] Download Bakemono fonts from Zetafonts

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Bakemono Francesco Canovaro created Bakemono as a way to explore the design space around the duality of fixed/proportional width. He was also interested in the concept of monowidth design , inherent in monospaced typefaces, that can bring flexibility and ease of use also to proportional type - allowing you to change the weight of a word without losing the text alignment. In his research on fixed width type design he mixed the lessons of mechanical typewriter technology with the intuitions of eastern brush calligraphy , which has been dealing with for centuries with fixed space grids. The name of the typeface comes from the Japanese shape-shifter yokais that could change their form freely between human and animal, and aptly describes the metamorphic nature of this wide superfamily coming in proportional, monospace and intermediate subfamilies. With a design mixing the expansion principles of the brush with the sharp technicality of typewriter and system fonts, Bakemono can bo...
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